01/03/2009

TV glitch art

Category:

My TV has been malfunctioning recently to create beautiful visual glitches. I’m enjoying the idea of it becoming an autonomous art generating machine. The glitches remind me of Brian Eno’s 7 million paintings, Autechre and Casey Reas’s generative art amongst others. Each of these artists use algorithms with a sensitive dependence upon initial conditions. The process produces a cornucopia of results which although preconceived programatically often render random unforeseen artifacts as the program runs. Their talent is in giving this randomness meaning.

Variables

The computer as a result becomes part author in the creative  process. As a designer who writes code, I find this approach to creative expression fascinating. There is an exactness to programming. Syntax is formal and a rogue ; or missed { means the difference between an idea compiling or not. It is scientific. On the other side there is subjective beauty. An oft unquantifiable, emotion response. It is artistic. The computer has engendered a new breed of creative. A technological astuteness with a sensitive dependence upon emotional conditions.

There are however few truly original talents who manage to balance the left and right hemispheres with apparent ease which is not surprising given many people’s natural bias for one or other. I’m thinking of Maeda, Levin, Nakamura, Rokeby. I asked David Rokeby about this diversity of discipline.

“What is lovely is that the are such different spaces that they have no terms in which to describe or understand the other, and for me, this is gold. They define two independent dimensions, and as such, instead of being in opposition, create a massive sense of space (or more literally “area”) between them”.David Rokeby

The one off

When compared to hand rendered work, programs can run infinite times producing precisely the same result each time. The hand of the computer is plain to see.

Hand rendering however cannot achieve this and as such displays wonderful qualities of uniqueness, the one off. The hand of the human is plain to see. .

In some ways randomness is a way for the programmer/artist to imbue a sense of one-offness. It can bring sterile exactness to life, add unknowns and in doing so reveal a more humanistic sense of involvement or as Rokeby explained more poetically;

“Something as hard and precise as a computer has something in common with a mirror… we reflect off it in interesting ways”.

Happy accidents

So as the TV continues to blink, stutter and scramble through an episode of Stars on Skates or some other guff the broadcasters typically push out I’m rather more interested in the ingenious patterns a malfunctioning chip has happened to create.

Below is a collection of some of these which made “Homes under the Hammer” actually worth watching. Do I get it fixed?… not quite yet.

If you have examples of creative serendipity drop a comment below.


TV digi glitch 1

^ TV digi glitch 1 (poirot)


TV digi glitch 2

^ TV digi glitch 2 (top gear)


TV digi glitch

^ TV digi glitch 3 (news at ten)


TV digi glitch 4

^ TV digi glitch 4 (mad men)


TV digi glitch

^ TV digi glitch 5 (the wire)


TV digi glitch

^ TV digi glitch 6 (news at ten)


TV digi glitch

^ TV digi glitch 7 (top gear)


TV digi glitch

^ TV digi glitch 8 (mad men)


TV digi glitch

^ TV digi glitch 9 (mad men)


TV digi glitch

^ TV digi glitch 10 (darwin)
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